Rum and Rummage

30 Apr

We know that – when it comes to shopping – the experience is often worth even more than the product. Going to the flea market, or Flohmarkt, is a very common and beloved activity in Germany. Waking up at 6 or 7 on a Saturday to bag some good deals is by no means considered insane. Early birds get the best products, everybody knows that. But night birds don’t have it bad either. At least not in when it comes to night flea markets, Nachtflohmarkt.

From time to time, Germany’s largest cities host midnight flea markets, held in big halls, former historical buildings or anything large enough to keep such an event indoors. Hundreds of passionate sellers lay out their best merchandise for the night crowd. The “accessories” of these markets are the concerts or DJ’s that spice up the atmosphere. Not to mention, where there is live music, there is a bar. Beers and cocktails make the bargaining with the very hip fashion sellers more fun and sociable. And if you don’t find the perfect purse, the perfect sound and drink can help you forget…

For a long time, we’ve seen shops holding ‘events’ that allow customers into the store after hours, bringing in djs and mixologists to push the transactional towards the experiential. But there is something about the spontaneity and unexpectedness of a flea market – it’s the hipsters favourite treasure hunt, after all – that lends itself particularly well to this cocktail-soaked midnight menagerie.

Modern Art Can Puck Off

25 Apr

The Turner Prize nominees were announced this week and it seems the competition has taken a decidedly puckish turn. Laure Prouvost, David Shrigley, Lynette Yiadom-Boakye and Tino Sehgal are unified by their use of mischief, deception and often surreal humour.

The art establishment has always had a tough time with artists like David Shrigley, whose greeting card friendly work has never come at the expense of genuine quality.
This has gotten us wondering about humour and culture, does this signify a shift? Is high culture getting funnier or his humour getting more serious? We’ll be on the lookout for humour in strange places in the future.

Telling Tales

24 Apr

Brands seem very eager to talk about stories at the moment. But we’re struggling to see where they’re actually telling any.

Story Cultural Insight

Story (restaurantstory.co.uk), Story (storydrinks.com), And Other Stories (stories.com)

Three examples that have leaped out to us recently are – the London restaurant Story, the fruit juice company Story and H&M’s recently launched sister company And Other Stories. All of these brands lead with the compelling idea of storytelling, but don’t seem to be telling any tangible tales.

When we’re promised story we want adventure, we want romance, we want rich worlds bought to glorious life, we want intrigue and mystery and epic voyages. We want a vivid narrative landscape for our minds to inhabit, characters we can invest in and triggers for our imagination.

We are frustrated with being offered something we love, only to be disappointed. We want inspiration, not a hollow promise.

Garnished with Story

22 Apr

To inject deeper meaning into their Garnish and Go offer Waitrose have weaved a compelling story around the origins of their offer and how cooking fish in a bag came to be.

Waitorse Garnish and Go advert (waitrose.com)

Waitorse Garnish and Go advert (waitrose.com)

The ad starts in an traditional peasant kitchen in historical France. The narrator tells the story of how the French wrapped their fish with herbs and butter in a paper bag (en papillote) to keep the fish moist and to infuse it with flavour. Waitrose have taken this simple cooking method and created their own papillote in-store service, so all you have to do is pop the bag in the oven and serve.

The advert manages to smoothly marries the current interest in artisan cooking techniques with modern lifestyles, using an enchanting story. It feel genuine and engages the viewer in the act of cooking itself.

Star ‘93

18 Apr

We often talk about story. We sometimes talk about space. We count ourselves lucky when we find something that weaves the two together as seamlessly as this project launched by the New Museum in NYC. Recalling 1993 is a unique storytelling experience that turns any pay phone in Manhattan into a time capsule. Twenty years ago, NYC was going through some turbulent times that were certainly tough, but also pivotal in shaping the NYC that we know and heart today.

Pick up any one of 5.000 pay phones in Manhattan and hear stories told by people who lived them, specific down to the street or corner where you are standing. The use of this outdated bit of infrastructure we think is genius. The immobility of the pay phone, actually rooted to the very spot of the story, lends this project a physicality that concretizes the link to space in a refreshing way. The pay phone, itself a relic of the pre-mobile 90’s, encourages listeners, in a small way, to touch the era that birthed the stories they’re listening to.

Fit the Bill-board

15 Apr

Thai home furnishings and hardware shop HomePro recently unveiled a new campaign of sidewalk billboards. More than just your usual advertising fodder, each billboard was fitted on its reverse with trendy wallpaper and useful objects like shelving, hangers and lights.

  Billboard Cultural Insight

Once the campaign ened, the sturdy boards were then offered up to the community at large to become free, but useful, walling for makeshift dwellings. Thailand, like many places globally, has problems with poverty and housing shortages. These sustainable corporate message boards present an interesting addition to the debate around corporate interest and public space.  With many municipalities stretched to their fiscal drawstrings, what role can the corporate world play? And how much room is there in that role for blatantly commercial messages? An even bigger brand addressing this question in a bigger way is LandProp Holdings, the real-estate wing of Swede-shop IKEA.   The 26-acre Strand East  has been much reported on and views vary, but there is no denying IKEA’s penchant for remaining at the fore of cultural issues.  Check out our Cultural Traction website for more.

A Post Card from … Barcelona

11 Apr

Here are our tips for the four things to do to get the best from a trip to Barcelona…

Barcelona Cultural Insight

Sound Derision

9 Apr

On a recent trip to the cinema one of our number was presented with these four ads before the film began. It got us thinking, here are a few observations.

Firstly, have a look at these adverts from two charities:

Marie Curie

 

Race for Life

 

They are both a montage of tiny moments from people’s lives. This is a very powerful and emotive technique, one that has been employed in film and television for years. It is a perfect way for charities to create compelling and touching communications that will heighten awareness of particular issues and speak to emotional truths about how people have experienced them.  Now have a look at these, from two mega-brands:

Sony

 

McDonalds

 

It is interesting that all four of these adverts employ the same montage style. This won’t get past consumers, especially with this style so dominant in the advertising world today. Their is a risk that whilst it works wonderfully for Race for Life and Marie Curie cancer care, when brands like McDonalds and Sony employ this style it could appear to be an emotional over-claim.

It raises questions of emotional authenticity. It seems spurious to attempt to place these brands, while certainly loved by some, as pivotal lynchpins in the lives of us all.  It can be tough to be a new stepdad or stepson, but it could seem as if McDonald’s is suggesting that the pound-saver menu might help smooth the rough patch. And Sony, quite frankly, it looks a little like you’re claiming the fall of the Berlin Wall as one of your successes.

As an aside, we would also like to take the opportunity to tell you David Bowie (yes you) that it makes us a bit sad to see Sound and Vision on an ad and given the John Lewis treatment its always been one of our faves – and it seems to actually be you singing it. 

We know how valuable an emotional connection can be to creating a compelling piece of brand communications; however have these gone too far?  We’re concerned that this sort of emotional over-claim is the sort of thing that big brands will come to regret in the future as consumers become cynical about it as a tactic. Is it enough to simply put your brand in the midst of a moving story or significant moment that bears little relation to what your product provides?  We think a brand should be trying to build emotional traction by focusing on what it actually does and the role it actually plays in our lives, not hoping to glean that traction by simple proximity.

In fact there was a fifth advert that was shown before that film that really hit this brief, it too used this sort of montage style to create a compelling feeling around their brand, but in Lurpak’s case it was entirely within the limits of what they can actually offer. This is an ad we can get behind.

 

 

Good Chemistry

25 Mar

We have watched as Science has moved from being the domain of geeks with their graphic calculators to being a fascination for us all. With science programmes on prime time television and the Raspberry Pi encouraging children to learn to code and make their own inventions, people seem genuinely excited about Science again.

Topshop have even turned this interest into fashion, with a range of shirts declaring their obsession with all things technological.

Science Shirts (topshop.com)

Science Shirts (topshop.com)

It seems little surprise then, that in our survey of brands’ cultural vibrancy – Cultural Traction - tech brands rule the roost. Google, Apple, Samsung and Microsoft dominate, with the highest scores for being inspiring, exciting, visionary and bold. It seems that these brands are able to harness our interest in technology in a way that stirs us to dream, to create and to glimpse the future.

Home from Home

21 Mar

We’ve chatted before about our love for the charmingly silly Ikea adverts. 

And now we are equally excited about the furniture chain’s move into the world of budget hotels. We think they could give Travelodge a stylish run for their money.

Our Cultural Traction study has shown that we’re not the only ones with a soft spot for the Swedish giant. We’ve discovered that their VIBE score – how in touch they are with the cultural zeitgeist – is very strong.  They appear to have tapped into what people really respond to – unrelenting optimism and a desire to make the world a slightly better place.

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